This could be keeping notes after each night of teaching and just sending them to me at the end of the month
Collecting notes and then voice noting me or texting me overall thoughts
Alternative option: If check in questions are not something you want to do and you'd rather send over your detailed class plans for the upcoming month that can be an option as well
What worked really well?
What did your dancers respond to?
What activities were especially successful?
What seemed to make them excited or engaged?
What didn't work?
Was something difficult to manage?
Did an activity not go the way you expected?
Was there something the dancers struggled with?
What did you learn?
What did you learn about this group?
Is there anything you would change next time?
Are there things you now know your dancers enjoy or don't enjoy?
Your favourite thing you've taught recently
What did you enjoy teaching?
What went particularly well?
What are you proud of?
How To: Assign a step or skill to each corner of the room. Have dancers move around the room while you count to 10. Once they have chosen a corner, call out a corner number. The dancers in that corner must perform the assigned skill or step.
Good For: Technique, strength, listening skills, reaction time, coordination, memory, and quick transitions.
How To: Set up the room with different stations that dancers move through one at a time. Stations can include progressions, steps you have been working on, strength-training exercises, flexibility exercises, or different technical skills. Have dancers spend a set amount of time at each station before rotating.
Good For: Strength, technique, stamina, coordination, flexibility, skill development, and working independently.
How To: Dancers wear their socks halfway on their feet, with part of each sock still on their foot and part hanging off. Dancers move around the room, trying to step on and remove each other's socks. They cannot use their hands and must use only their feet. Once both socks have been removed, a dancer is out. Establish clear boundaries and remind dancers to keep their movements controlled and avoid kicking or pushing.
Good For: Stamina, quick feet, agility, reaction time, burning energy, footwork, and learning to share space without using their hands to touch others.
How To: Have dancers stand in a circle, reach into the middle, and each take the hands of two different people. They should not grab the hands of the people directly beside them. Without letting go of hands, dancers work together to untangle themselves and return to a circle. Adjust the group size or offer an alternative if the group becomes too tangled.
Good For: Team building, spatial awareness, communication, problem-solving, cooperation, patience, and body awareness.
How To: Play music and have dancers move around the room. When the music stops, everyone freezes in place. The teacher can describe what the dancers look like or what their frozen shapes remind them of. For example, a dancer might look like a statue, an animal, a superhero, or a tree blowing in the wind. You can also call out specific requirements, such as a low shape, a twisted shape, or a shape using only three points of contact.
Good For: Creative thinking, reaction time, musicality, body shapes, balance, body awareness, spatial awareness, and listening skills.
How To: Choose two dancers to battle or split the class into two groups. Dancers take turns performing their own movements, with each dancer responding to or building on the previous dancer's movements. Encourage freestyle, different levels, pathways, and musicality. Keep the experience positive and uplifting by encouraging dancers to cheer each other on, even when they are on opposite teams. Emphasize creativity and participation rather than winning.
Good For: Team building, creative thinking, on-the-spot thinking, freestyle, confidence, musicality, performance skills, memory, and stage presence.
How To: This activity can be guided or unguided. Give dancers prompts to help them explore movement in different ways. Examples include:
Move your body to draw different shapes, such as circles, squares, or zigzags.
Move like water, wind, fire, or another natural element.
Move as if you are walking through sand, water, or thick mud.
Explore how the music makes you feel and let that feeling guide your movements.
Change the music every 30–40 seconds and ask dancers to change their movement quality to match.
Explore different levels, directions, speeds, and sizes of movement.
Good For: Creative thinking, freestyle, musicality, emotional expression, movement quality, body awareness, confidence, and adaptability.
How To: Play music and have dancers move around the room, dancing freely. When the music stops, everyone must freeze. If you catch a dancer moving after the music stops, instead of having them sit out, ask them to demonstrate a specific step or skill you have been working on in class. The dancer must perform the step without you demonstrating it first. Once they have shown the step, they can jump back into the game. Adjust the difficulty by asking for basic steps, technical skills, or specific movements from class combinations.
Good For: Dance vocabulary, memory recall, technique, listening skills, reaction time, body awareness, confidence, and reinforcing previously learned steps.
How To: Choose one dancer to lead the class in a series of movements while everyone else follows. The leader can travel around the room or stay in one spot. Encourage them to use different levels, directions, steps, and movement qualities. Rotate leaders so everyone has a turn.
Good For: Coordination, memory, observation, musicality, leadership, confidence, and movement vocabulary.
How To: Pair dancers up and have them face each other. One dancer performs slow, controlled movements while the other tries to mirror them as closely as possible. After 30–60 seconds, switch roles. Encourage dancers to use their arms, legs, head, torso, and different levels.
Good For: Body awareness, coordination, focus, control, observation, mirroring, and movement quality.
How To: Play music while dancers travel around the room. Call out a number, and dancers must quickly form groups containing that number of people. Once they have formed their groups, give them a movement challenge, such as creating a group shape, performing five jumping jacks, or making a short movement sequence together. Dancers who cannot find a group can join the teacher for the next round rather than being eliminated.
Good For: Quick thinking, reaction time, teamwork, spatial awareness, listening skills, and social connection.
How To: On the white board write what each number on the dice corresponds to with different movements, body parts, levels, directions, or movement qualities. For example, one die might include jumps, turns, balances, kicks, slides, and runs, while another includes high, low, fast, slow, sharp, and smooth. Have dancers roll the dice and combine the results into a movement challenge.
Good For: Technique, creative thinking, improvisation, adaptability, movement vocabulary, and musicality.
How To: Have dancers stand in a circle. One dancer performs a short movement, which the next dancer repeats before adding a new movement. Continue around the circle, building a sequence. Alternatively, have dancers pass the same movement around the circle, with each person interpreting it in their own way.
Good For: Memory, creativity, coordination, observation, teamwork, confidence, and choreography.
How To: Call out a shape, letter, number, or word, and have dancers create it using their bodies. They can work individually, in pairs, or in small groups. Challenge them to use different levels, balance points, and body parts, or create shapes that connect with one another.
Good For: Body awareness, balance, flexibility, strength, spatial awareness, teamwork, and creative thinking.
At Dance Directions we are committed to:
Encouraging creativity and artistic exploration
Be supportive of students as unique individuals
Providing positive, uplifting corrections
Building strong connections with families and our community
Fostering an inclusive and welcoming atmosphere
Encouraging freedom of expression (within the stated studio guidelines)
Creating a supportive and positive space for all
Developing confidence through structured, supportive methods
Cultivating an environment where dancers feel encouraged and inspired
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